Tuesday, April 10, 2012

Kettlebell Training - An Interview With Steve Cotter

Co Hi Steve and thanks for agreeing to take part in this interview.

Sc It's my pleasure.

Wooden Knife Blocks

Co Could you start by telling me a bit about yourself and your sporting background?

Kettlebell Training - An Interview With Steve Cotter

Sc Ok, my name is Steve & I'm a Capricorn, and I have an thoughprovoking life! I have a family, three children, and I live in San Diego, California. I've been complex in physical training for pretty much my whole life. I was athletic as a child and when I was 12 years old I moved to California from the East coast, and I became complex in former martial arts training, Chinese martial arts, and that became in effect the focus of my life from the age of 12 until the age of about 26. I was teaching professionally, many dissimilar people, youth programmes, tai chi programmes, older people, martial arts to adults, and that was in effect all day every day for a period of many years. After I'd been complex in the arts for 7 or 8 years I started get complex in the full perceive and ultimately full perceive fighting competitions in the States, and had good success, myself and the school I was with. We went to national competitions and I personally won two U.S national titles in full perceive kung fu fighting, the sport Kuoshu, which is a type of sport that's like fighting in a ring without ropes. There was a movie years ago by Jean-Claude Van Dame called Bloodsport and they sort of were depicting this former sport which they call Lei tai fighting; lei tai is a platform. So that was my former sporting background as far as formal training was concerned, mainly in martial arts and also the full perceive fighting component of that. My martial arts training also included a lot of meditation and Qigong which is a deep breathing component. In increasing I did some of the Chinese medicine, bone setting, massage, and things like that. I also learnt the use of inescapable herbal tinctures and liniments.

Co Cool. That sounds like an foreseen, foundation. So how did you get into kettlebell training?

Sc Well, in 1996 I went from teaching martial arts full time to having a turn of heart and choosing that wasn't what I was going to do for the rest of my life, I didn't want that to be my firm and profession any longer; I had seen that sometimes population would turn when they became complex in the firm and would lose love for the art and I didn't want that to happen to me, so I decided I wanted to continue to teach martial arts out of passion but make my money in a dissimilar way. So I became concerned at that point in going to college full time, so to talk your question about kettlebells, after I'd been a full time college student for about three years I noticed that my conditioning was starting to deteriorate and I went from being a world class athlete who was training all day every day to being a someone carrying a backpack who in effect wasn't training very much at all, and I didn't like the changes my body was making. So I was in effect wanting to get back to very elite type of conditioning but I no longer had the time or the inclination to train all day every day, and I also didn't have my involvement with the martial art community so I in effect was kind of on my own and I was finding for ways to growth my fitness to a very high level but be able to do it in much less time. It dawned on me that I had to learn to accomplish the same number of work, or a lot of work, in much less time and be smarter about how I used my time. There's a saying that when the student Is ready the teacher will appear and so you could say that the kettlebell appeared, as a way to teach me how to use my time more efficiently and accomplish a high level of fitness.

I came over kettlebells in a martial art inventory and they intrigued me as they talked about using the body as a whole unit and how is was complimentary to martial artists and troops athletics, so inherently it made a lot of sense to me. I was a slight prohibited at first because I didn't have any money so the kettlebells were too high-priced for me, but after having investigated them for a few months I ultimately decided that I had a opportunity to try them and once I'd tried it once I was hooked and came up with the money to buy some kettlebells. I began training myself with them using Pavel's (Tsatsouline) first kettlebell Dvd back in 2002 and that was the beginning. I then started integrating kettlebells with personal training that I was starting to do expertly and had great results; I was in effect getting back into a much higher level of fitness again, I loved the way it felt and the dynamic expression and it just went from there.

Co Excellent. And what do you reconsider to be unique about kettlebell training?

Sc There are a combine of main things. For one thing, the more former training protocols tend to segregate the dissimilar vigor systems, so typically the method would be that population would do their resistance training two or three days a week and then they would do their cardiovascular and cardio-respiratory fitness training, aerobics, separately, and still even flexibility they would have to separately, so these types of things take up a lot of time. So one of the unique things about kettlebells is that it in effect combines these facets into one protocol so you can work resistance training, cardio-respiratory fitness and range of appeal therapy all at one time with one tool and even with one movement or just a few movements.

Co Ok. So I recently attended your certification course in Edinburgh, Scotland, which was brilliant by the way!; what led you generate the Ikff and who is it for?

Sc I've always loved teaching. I was able to be in teaching since I was 15, that was when I started teaching martial arts professionally, so I had the opportunity to teach many dissimilar population of all dissimilar backgrounds, and I loved just being in front of groups and directing them. My passion was in the whole physical culture, so I did have perceive in teaching for many years before I came to kettlebells. After getting complex with kettlebells for a few years I industrialized some Dvds and then later on I was approached by a martial art Dvd manufacturer who was concerned in developing a thorough kettlebell Dvd called the Encyclopaedia of Kettlebell Lifting, and once I did that my visibility started to growth and I was starting to come to be more well known, and I was able to sell my Dvd in discrete markets internationally. So as a effect of that I was getting discrete enquiries via email from folks who were asking if I would be gift my own certification, and also giving good feedback on the teaching arrival that I offered on the Dvds. So that was what first planted the seed that there was genuine interest in it. However, it took me some years to ultimately come up with the Ikff. The surmise I ultimately came up with the Ikff, and I want to quite frank about the certification process, is that there are a lot of discrete certifications in all industries and fitness is no different, and a lot of times I see certifications plainly as ways of charging population more money for the same thing and by calling it a certification they are able to payment more money than than would if they didn't call it a certification. So I resisted creating a certification initially because of that, because I didn't feel that that was a surmise to do something. I have no aversion to money but I do have an aversion to taking advantage of population and for a long time I didn't see the need for it because I was already teaching and already gift workshops. However the enquiries persisted and as time went on I observed that the existing kettlebell certifications courses were lacking in the area of member support, that it in effect seemed to exist for the population that were running the show, for their benefit, but for the fitness professionals who were paying their money to attend the course, they were still on their own and weren't in effect getting the keep significant to establish their own professional interests. So that was one of the former reasons for starting the Ikff, I wanted it to be member centred and member based, not just about myself and my success but in effect to be able to help individuals to build their own professional work doing something that they loved, and trying to establish a federation that could keep their growth in that regard. The other surmise is plainly that I recognised there was more and more interest for kettlebell certification and I felt that I could do a good job than those that were already doing it, so I felt that since population were going to get certified anyway I might as well be gift certification because I felt that I had their long term interests in mind as well as doing a very good job teaching them.

The surmise I came up with the name for the International Kettlebell Fitness Federation was that I wanted it to be international, it's a global attempt and I think that the world has changed; we're no longer slight to our local marketplace and the internet has in effect made that possible. The K, standing for kettlebell, obviously is a major component of the programme that we have; F being for fitness and kettlebells obviously being a component of that, and the final F for Federation, which in effect means that it's focused on the membership itself. The Ikff was designed to not just be able to be a high potential kettlebell teacher training programme but also a thorough programme which expresses my faultless perceive and what I view as a holistic arrival to training my body spirit, via kettlebells, and other protocols; Qigong and martial arts, joint mobility and flexibility, as well as body operate via bodyweight conditioning. So these are what I call the five pillars, the five facets of fitness and well-being, and they are in effect what the Ikff is all about.

Co Sure. One of the things that in effect fascinated me when I attended your course was the quite significant disagreement in the middle of the 'hard style' of kettlebell training that I learnt while my former certification here in the Uk, and the competition style that you taught. What would you say are the main reasons for using one over the other?

Sc Firstly I view myself as a teacher, so it is my compulsion to be willing to heighten when I have new information and sometimes we have to be willing to throw away old information if it doesn't serve us, or if we find something that works better. So when it comes to kettlebells there's this sort of interpretation that there's dissimilar styles, and in effect that is more of a marketing driven division. In reality if there's such a thing as a style it has more to do with private body types. By that I mean if someone is short and stocky they have dissimilar levers than someone who is tall and thin. So you'll see stylistic differences in the way that they move their body, and in the way that is the most productive path for that someone to use. But the idea that there are dissimilar styles of kettlebell lifting is really, in my opinion, something that has been created in America as something that is a way to differentiate the firm model. The surmise I believe that is kettlebell lifting in itself is quite simple, it's very natural, and once someone learns the basic techniques it's not difficult to learn; the difficulty is in the number of attempt required to accomplish a higher level. So I refute the idea that there is such a thing as a hard style and a competition style, but that's the impression that's given out. The hard style was something that was created by Pavel and the Rkc, who borrowed the language from martial arts. In martial arts there is a group in the middle of what they call hard style and soft style, so we can use the same analogy to talk your question. The hard style is differentiated in the way that the focus is on the tendency for there to be a lot of rigidity, a great number of attempt in the movements. Traditionally, hard style in the martial arts, such as hard style karate, the movements are very rigid and tense; that's not the same in all instances, there are very fluid stylists as well, but by classification hard style has a general characteristic of relying heavily on maximal force production. In martial arts what is called the soft styles are those which tend to be more fluid, inner based, and focused more on the redirection of troops rather than overpowering someone. The terminology would be to use the attackers force against them. So, using that comparison we can say that hard style kettlebell lifting strives to maximise the force in every rep, and what population refer to as the competition style, the idea is to minimise the force in every rep plainly because the goal is maximal reps. And if you're going for stamina the more tension you carry in your body the more fatigue you're going to illicit and you're not going to be able to last as long. So that's the definition of terms, but in reality, the way we in effect differentiate is by skill level and not by style. If you get the best ten lifters in the world you're going to see ten slightly dissimilar body styles, every move is not going to be the same, even though they all have an very high of ability. So the question in effect is what manner of movement do I want to use that is going to give me the greatest effects and results? With kettlebells we're talking about fitness and volume, what method will enable me to have the greatest volume and therefore the greatest conditioning effect?

Co Right, so in terms of population who are training purely for fat loss, not for competition, would you say that the more fluid method of lifting would still be most effective?

Sc I think that the talk to that is similar to having two cars at a race track, a Ferrari and a Toyota, which one's going to win? The talk is quite obvious. The method that is going to illicit the greatest fat loss and the greatest level of conditioning is that which is going to allow the greatest volume. So, what is going to allow the greatest volume is the method that is going to enable you to go for the longest, do the most reps, and work for the longest period of time. That is going to be, using the earlier terminology, the competition style. I don't try to reinvent the wheel so instead of me trying to sell my approach, I look at the best lifters in the world and see what their arrival is and how they get to these high levels, and anything that pursues sport at a high level is going to realise very swiftly that if you're using rigidity in your movement you're going to fatigue very swiftly and you're not going to get very good results. To use a martial arts analogy, just as you don't want to bring a knife to a gun fight, you don't use 100lbs of force when 10lbs of force will do the job.

Co That makes sense. Another thing that I know there is a lot of moot about is squat depth and what is safe. In the impel and conditioning world the idea tends to be that changing the position of the lumbar spine while the squat, particularly under load, isn't a good thing in terms of the shearing troops it places on the vertebrae, whereas while the Ikff course we worked a number of squat variations through full range of appeal and into what one would call a deep squat. What are your thoughts on that?

Sc I would say that to be fair it wouldn't just be the impel and conditioning community that would advocate that, it would also be the medical community as well, but you have to look at the physics and you have to look at the stressors on the spine, the mechanics. I think the real concern is going to be that when the spine is under load and the curvature changes at the bottom, the lumbar is going to tend to curve under, and that curvature, especially when you're under a fair number of load, is going to put shearing troops on the lumbar spine. So there's a combine of components here. The first is where the weight is situated. There's a huge disagreement in the middle of if someone's just using their bodyweight versus where say they have a maximal load on a barbell on their shoulders. The other point is where the load is in effect placed. If the load is in front of you, as in the front squat, it's going to be very dissimilar to if it's behind you, say in a barbell back squat. Then there is the range of appeal and the thorough flexibility of the lifter. A well trained lifter can do a full range of appeal squat with a heavy load and not injure the spine because they have the flexibility in the hips to generate space and allow the troops to dissipate. A very stiff someone has no firm putting a heavy weight on their back and squatting it full range of motion. With kettlebells we typically will do the overhead squat or the front squat, not on the back, so it's usually not a super heavy load anyway. So with the weight in front of you you have an offset counter of balance, a mass in front of you, so that serves as a counter weight and enables you to sit back added and deeper. So to summarise this on the position of the spine, we have what's proper for athletic execution and dealing with heavy amounts of resistance, and then we have what we need for general daily function. If we look at the body and natural function there's a definite need, from the time of ancestry, where the potential to go to a full squat was in effect crucial. For example, for someone who's going to work in the fields they don't have chairs and in any non-industrialised nation you'll see workers thoughprovoking into the full squat even into their old age, and if you look at children they'll plainly do a full squat. And if anyone's been to Asia, you have to move into a full squat to go the bathroom even, so the potential to be able to do a full squat with the bodyweight is in effect a underlying movement.

Co Cool. Steve you mentioned earlier about Qigong and this was something you took us through after the first day of the course. Can you tell me a bit more about it and why you reconsider it to be so leading as part of training?

Sc Yes. Qigong, if we try to define the terms, can be difficult as Chinese language uses pictograph, whereas we use words, so we're trying to turn a photo into a word which isn't exactly possible, so we can only estimate what the meaning would be. The only way to in effect delineate the meaning is through a picture, but Qi will quite often be translated as breath, or energy, and neither of those are exact. A more definite explanation of Qi would be that there is an intrinsic force that exists that is most intimately associated with the breath. Gong Is a terms referring to any potential or any skill, so we would say that Qigong is a principles of breathing skill or vigor mastery, and there is a very rich tradition behind it. The most famed method of Qigong internationally is Tai Chi, which has its origin as a martial art but is also a principles of Qigong. Some of the key characteristics of Qigong are that it combines deep breathing with very relaxed posture, and there's a mindfulness, a deep meditative presence in all of the movements. So Another way of saying Qigong is that it's a form of thoughprovoking meditation.

Why it is leading after training, it's in effect leading in general for every person because we have our physical body, and then we have what you could call your energetic body. This is not to sound mystical or metaphysical but we have troops within our body that are not the flesh or the bone; in the west the Russians talk about the term bioelectricity and maybe that might be intimately associated to what the Chinese call Qi. It's this idea that vigor radiates in, through, and nearby our body and all life forms. So through exercise and fitness we can condition our muscles and we can train our nervous system, and we can make our bones more dense through resistance training, but through just physical exercise alone we cannot in effect train the energy. So Qigong is a method to train the potential of our vigor and not just our physical body. In Chinese they talk about yin and yang to symbolise equilibrium and so in life we have have to have equilibrium in the middle of hard and soft, so the idea for condition and well being and thorough longevity is that we need to equilibrium the vigorous nature of physical training with the recuperative and rejuvenate aspect of the deep breathing and Qigong meditative movements. The last point I'd like to make about this has to do with biology and the fact that we all age, and the surmise why I contain Qigong with my principles of training and even with the kettlebells is that any exercise principles that is based purely on physicality is inherently incomplete. This is because of the fact that we can't keep the hardcore aggressiveness indefinitely, we reach a physical peak, and every someone will get to a time where the body ages to the point where they're no longer going to be as fast, or be able to jump as high, and if your whole principles is based on running faster, jumping higher, hitting harder, lifting heavier, lifting more, you can in effect do it when you're 20 and 30 but maybe not when your 40, or maybe when you're 40 but not when you're 60, 70, 80. That's not to say you can't do the physical training but you have to equilibrium it, so Qigong is something that anything can do throughout their whole life, you can't overtrain with it and you can't do hard physical training all the time, so we need Qigong to in effect restore the body and it's something we can use even into our elderly years.

Co Great. I think it's fair to say that you are one of the world's most very regarded and thoughprovoking trainers. What do you mostly attribute your personal success to?

Sc That's a in effect good question. Firstly there's no replacement for going very in-depth into the branch matter; we can't fake expertise and there's without fail a prevalent marketing approach, particularly on the internet, to do with fitness, where population market themselves as experts, where in reality just because someone says they're an expert and promotes themselves as an expert doesn't in effect give them expertise, so the first thing in success in anything is that we have to have not only familiarity but we have to have studied deeply the branch matter at hand. As a general philosophical thing, success has inescapable universal attributes and I believe, from what I've seen and experienced, if you study flourishing population who are willing to share their road to success, their secrets if you will, you'll see many parallels and universal congruents among them, regardless of their field of expertise. So for me, fundamentally it's an internal component, the expertise comes from the study and the knowledge base, the practical understanding, and part of becoming an expert is becoming a teacher. When I became a teacher it was initially for selfish reasons because I wanted to come to be a good student. And by teaching you get asked questions so you in effect have to study deeper. The techniques and the training and the knowledge, that's what I'd call the external or the outer element of success. The internal component has all to do with our mindset and our approach. One thing I like to say is attitude is altitude, and that is in effect the truth with success. Success is an attitude, an acceptance of being willing to be flourishing and to live our dreams and fulfill our purpose, and that begins with clarity. We have to know exactly what we want to accomplish before we have any opportunity of achieving it.

There are many population that are sort of wandering, talking about what they want and look to others and say this person's lucky or that person's lucky because they have that wealth or that girl or they have that life, and they're flourishing and I'm not, and they don't see the inner workings of that, they just see the trappings of it. But in effect the first step is for an private to in effect look inside themselves and ask themselves inescapable questions, and that's what I call clarity. You have to have a clear idea of a) what you want to do and accomplish, it doesn't matter how big or small; it just matters how meaningful it is. It could be something as simple as someone wanting a salutary life surrounded by friends and loved ones, which is a vast success in its own right, then it can be all the way to the level of someone who wants to be the president of America or wants to be the best in the world at something. There's all dissimilar manifestations of what it means to be successful, but in my perceive it begins with clarity. I believe Another leading component is the idea of creativity. We're all creative and life is creative, a creation. And within every creation there is a creative process. If you take the most beautiful sculpture, before it was a model it was just a block of wood, someone has to have the idea to turn that blank block into a beautiful chair or table, or a blank canvas into a beautiful painting. So success is the fruit, but the labour is what bears the fruit, the internal work and identifying what you in effect are and what you want to do. As the saying goes, the only thing to fear is fear itself. When we think of success we come to be successful. It begins within. We always hear about competition but this is a mindset we need to get out of. There is of course an element of competition in firm and in sport; However to me competition is in effect something we have with ourselves, we are contentious with what we are now because we want to come to be better. population focus so much on what the guy down the road or some other teacher or colleague is doing that they're focusing their vigor on that versus holding it on an internal 'what can I do right now?' All we can operate is ourselves, that's the only tangible thing that we can in effect keep operate of, and that's where success in effect begins, the way we use our mind. What population in effect refer to as success is the results of success, but success itself has nothing to with results, it has all to do with the driving force which is behind the results, which is the mindset.

Co That is very true. Thanks Steve. Can you just finish off by telling every person how they can find out more about the Ikff and upcoming courses?

Sc Absolutely. Well first of all there is the Ikff website, which is our former website and gives all the information about the courses. In increasing we have quite a large group on Facebook so population are welcome to join that and we post information there, and we also have a in effect growing network of in effect high calibre physical teachers in every continent now, with the irregularity of Antarctica, for the moment! Here in the Uk I recommend population go to your website as well to find information about kettlebells and the Ikff.

Co Perfect. Steve thank you very much for taking part in this interview and I wish you and the Ikff all the best for the future.

Sc You're welcome!

Kettlebell Training - An Interview With Steve Cotter

scholar Gluing Techniques for Wooden Kitchen Worktops

The original way to create a glue edge has been to use a feed through moulder, where the left and right vertical spindles are set with right knives to produce a flat edge. The qoute with this is the way the knife comes into palpate with the timber as it passes through. Spinning around on the block, regularly at 6000 rpm, the knife effectively hits the timber at about 26 degrees and scoops out a groove. It is this action which causes all the issues. These grooves can vary wildly depending on how fast the timber is run through the machine. At high feed speeds, the scoops will be quite wide, and there is an sure ripple, often clearly visible, along the entire length, particularly graphic in oak and walnut. Lowering the feed speed helps to combat this, however this obviously takes longer and therefore becomes more expensive.

A proper 6000 rpm moulder will run between 6 and 30 metres per minute. Being able to run a machine at five times the yield is pretty tempting in a world dominated by cost. however this is only the first issue. The second issue, lost on just about every other manufacturer, is compression. As the knife comes in to palpate with the timber for the first time, before it starts its cut, it compresses the timber. During the cutting stroke, as the angle changes from 26 degrees to zero, the compression factor increases through this rotation. This means that the top layers of cells just under the knife cut are compressed together. This means the face is made much less porous, and as a ensue the glue will not drill as well, and therefore the vigor of the glue line will be compromised. This can be minimised with ultra sharp tooling, however to make this effective the tool would need to be sharpened every hour. Even a slowly sharp knife will lead to unacceptable levels of compression, often called 'glassing' where it truly makes the top face like a glaze, thus manufacture it all but impossible for the glue to penetrate. Woods like oak and walnut are somewhat affected by this, but maple, iroko and other tropical timbers are significantly affected to the point where glue line failure in these worktops is a base occurrence.

Wooden Knife Blocks

The way to accomplish the exquisite glue edge is to use a special saw blade combined with pre-moulding. To do this, there are a amount of requisites without which the search for the ultimate glue line will be fruitless. Firstly, the moulder needs to have six heads - two top spindles, two lowest spindles and two sides. The last lowest head which accommodates the saw arbour must be big adequate to adapt the saw blades, and also have fullness of power; at least 20Kw. Ideally the spindles should all run at 8000 rpm. The next requisite is that the input material should be accurately finger jointed. Finally, we must assume that all tooling is of very high quality, sharp, and for hardwoods like oak and walnut, carbide tipped at the least, preferably solid carbide.

scholar Gluing Techniques for Wooden Kitchen Worktops

Set up the first lowest to take off adequate material to ensure that after passing this first head it is perfectly flat to the bed, as this creates the first reference point, or datum. Next, the right vertical spindle should be set to take off adequate material to provide the second reference edge, the right fence datum, with a good adequate finish. The left vertical spindle needs to take adequate off the left edge to provide a clean and consistent edge, the same being true of both the top heads, which are there just to clean the timber up and calibrate it, so it requires the least amount of sanding once glued.

That takes us to the last bottom, where the real action takes place. The tool here is effectively a saw arbour with two blades, both hogging blades. A special side pressure fence needs to be set up exactly right to hold the timber perfectly still as it guides it in to the special tool. The tool needs to be a very high quality tool, from a provider like Leitz, to ensure that everything is set up correctly with an exact perpendicular set up from the bed to the blades. Without this setting at truly 90 degrees, then staves will not glue together in a flat panel. The saw blades need to be carbide and very sharp, but since they will be set to only take off 0.5mm each side, and should have 24 teeth set with a reverse hook, they will only need sharpening every 4000 - 6000 linear meters.

When working with materials such as oak and walnut, not only must the tooling set up be spot on, but the machine itself should be in exquisite condition. Weinig machines offer the exact tolerances required for this sort of work. Spindle bearings need to be super heavy duty in order to minimize or preferably eliminate vibration.

But even with all this, you still need the skill to set the machine up and operate it. With oak worktops manufacture an increasingly large percentage of replacement and new kitchen worktops, getting it right has never been more important.

scholar Gluing Techniques for Wooden Kitchen Worktops